![]() ![]() ![]() It’s horrible! Merida was created to break that mold - to give young girls a better, stronger role model, a more attainable role model, something of substance, not just a pretty face that waits around for romance.”Ĭhapman believes that Disney could’ve had just as much success with a Brave merchandise line had they not changed her appearance. “When little girls say they like it because it’s more sparkly, that’s all fine and good but, subconsciously, they are soaking in the sexy ‘come hither’ look and the skinny aspect of the new version. “I think it’s atrocious what they have done to Merida,” she added. ![]()
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![]() ![]() Up for auction is a beautiful piece of American history. The proceeds of this auction will directly benefit the trust that was put in place to support the Midwest Trumpet Festival, and will help memorialize David Kuehn’s contribution to the trumpet community. The Midwest Trumpet Festival has exposed the midwest trumpet community to the likes of famed trumpeters such as Vince DeMartino, Allen Vizzutti, Wayne Bergeron, Claudio Roditi, Bobby Shew, David Hickman, Joe Burgstaller, Ryan Anthong, Lonnie McFadden, and SO many more over the years. Each year Under the direction of, the Midwest Trumpet Festival's mission is to gather leading performers, educators, students, and community for an intensive time of large and small continuing education sessions, master classes, recitals, and concerts. His collection is being auctioned to benefit an endowment that will support the ‘Midwest Trumpet Festival’ which celebrated its 11th Festival on October 6/7, 2019. The Instruments Being Auctioned (description below) came from the personal collection of celebrated trumpeter David Kuehn. Conn New Creation Eb Cornet ~ Serial Number #116xxx ~ Made in 1910 in Elkhart, Indiana, USA ~ Silver Plated ~ (.425”) Bore ~ 4 ⅝” Bell ~ ALL ORIGINAL ![]() ![]() ![]() My point is: throwing a bunch of plugins on your master bus is not going to make up for an unfinished mix. ![]() If you have done everything you can think of, processing individual tracks, processing group buses, have parallel processing, etc and you still think adding processing on your master is going to give you that extra whateverness, then go for it. ![]() I feel like especially starting up, you can force yourself to work harder on your mix if you start thinking of your master bus as a sacred temple. ![]() Joking aside, whatever works for you, works for you. Now, having said that, I'm well aware that there some great mixing engineers out there who use piles of processing on their master bus, so am I calling them little babies? I am. There are countless opportunities in the mix to get the sounds you want and I'm of the idea that if you need piles of processing on your master bus, is because you didn't do enough on the earlier stages. 99% of the time the only thing I have on my master bus is a limiter. If you have a technical issue, there are DAW-specific subreddits for nearly every program out there. It's just a tool, and you are doing the mixing. To everyone I say: When it comes to mixing, forget about your DAW. Some people make the mistake of looking for DAW-specific mixing tutorials and videos and that just make you miss out on a wealth of information that is out there which is using other DAWs and you can apply the very same techniques to whatever you are using. First of all let me a address something that happens a lot here, which is to ask questions naming your software, your DAW in questions about mixing. ![]() ![]() ![]() Library/Frameworks/amework/Versions/1.0/lib/libgstbase-1.0.0.dylib (for architecture x86_64): Mach-O 64-bit dynamically linked shared library x86_64 Library/Frameworks/amework/Versions/1.0/lib/libgstbase-1.0.0.dylib: Mach-O universal binary with 2 architectures ![]() ![]() Library/Frameworks/amework/Headers: directory However, I thought the dylibs in the GStreamer framework are also usable for i386: file /Library/Frameworks/amework/Headers /Library/Frameworks/amework/Versions/1.0/lib/libgstbase-1.0.0.dylib Ld: symbol(s) not found for architecture i386Ĭlang: error: linker command failed with exit code 1 (use -v to see invocation) "ofGstVideoGrabber::ofGstVideoGrabber()", referenced from: I've also tried to set the GStreamer grabber, but I get linking errors: Undefined symbols for architecture i386: I'm using openFrameworks 0.8.0 on osx 10.9 and haven't found an easy way to download the 10.6 sdk( There is no direct download (older versions of xcode an sdk download option), I've downloaded Xcode 4.1 but it can't be installed because of osx 10.9). There is a videoSettings() function when calling that I get an alert mentioning the project must be compiled with the 10.6 sdk and is not supported when the app is compiled with 10.7+ The framework provides a QTKit video grabber, but I can't use the settings. I'm trying to control auto focus/auto white balance settings for a webcam using OpenFrameworks(a c++ framework), but not having any luck. ![]() ![]() ![]() While in Feudal Japan, Kagome also crosses paths with the golden-eyed, silver-haired half dog-demon, half-human boy Inuyasha. The village is soon attacked by Mistress Centipede who followed Kagome through the well and is searching for the legendary Shikon Jewel, a crystal gem of unbelievable mystical power. ![]() There, Kagome encounters the Priestess Kaede, who senses Kagome is the reincarnation of Kikyo, Kaede's dead sister who was a powerful priestess. After falling through the well, she finds herself transported back in time to a village in Feudal Japan. The demon, named Mistress Centipede, grabs Kagome and drags her down the well. Kagome Higurashi, living in present day Japan of 1997, goes searching for her lost cat in her family shrine on her fifteenth birthday, only to find that a terrible centipede female demon has revived in the shrine well. Transcription: " Toki o Koeta Shōjo to Fūinsareta Shōnen" ( Japanese: 時代を越えた少女と封印された少年) Two closing themes are " My Will" by Japanese girl group Dream and Do As Infinity's " Fukai Mori" ( 深い森, "Deep Forest"), used for twenty and remaining seven episodes respectively. The Japanese opening theme is " Change the World" by V6, used for all twenty-seven episodes. Three pieces of theme music are used for the episodes one opening theme and two closing themes. A full box set containing all twenty-seven episodes was released on September 7, 2004. The first season was released across nine DVD compilations by Viz Media. The English dub of the first season was broadcast on Cartoon Network as part of its Adult Swim programming block from August 31, 2002, through January 21, 2003, and ran again on its Toonami block beginning on November 3, 2012. The anime is licensed for release in North America by Viz Media. The series follows a half demon Inuyasha's and a high school girl Kagome Higurashi's journey, alongside their friends Shippo, Miroku and Sango to obtain the fragments of the shattered Jewel of Four Souls, a powerful jewel that had been hidden inside Kagome's body, and keep the shards from being used for evil. Based on the manga series of the same title by Rumiko Takahashi, the episodes were produced by Sunrise and directed by Masashi Ikeda. The first season of the anime series Inuyasha aired in Japan on ytv from October 16, 2000, through May 21, 2001. ![]() ![]() ![]() Online (web browser-based office): LibreOffice-based Collabora Online 22.05 ( ) vs.Mobile (smartphones, tablets): LibreOffice-based mobile solutions ( download) vs.Desktop (notebooks, desktop computers): LibreOffice 7.5.0 ( download) vs. ![]() There are separate comparison tables available for: The comparison highlights differences and therefore does not display any features which are present in both office suites. The comparisons separate major and minor feature differences and also includes notes on LibreOffice extensions. ![]() This page compares the features of LibreOffice and Microsoft Office in several form factors. ![]() ![]() I still do not know what the difference between the older(60's) Evette& Schaeffer and R-13's truly are. It doesn't seem significant enough to stop me from using this clarinet in any concert setting. ![]() This clarinet was overhauled by expert clarinet technician Vytas Krass. The service included: ALL NEW CORK PADS(2 leather pads on the lowest right-hand keys) ALL NEW TENON CORKS* ALL NEW KEY CORKS* NEW SPRINGS(where needed) KEYS OILED AND PROPERLY ADJUSTED Housed in non original case which is in a new condition. ALL clarinet parts are original and marked"Evette& Schaeffer. Paris, France, Modele Buffet-Crampon" Matching serial number is K92XX. ![]() ![]() ![]()
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